Books of Hours
 
 

 

 
 
 
 
 
 
3. Hours of the Virgin
Infancy cycle
sext
 
Adoration of the Magi
Hours of the Infante Don Alfonso of Castile for Rome use, Spain, Castile, 1460s-70s, probably for the Infante Don Alfonso de Castile (New York, The Pierpont Morgan Library, MS M.854, f. 90v).
 
Adoration of the Magi
Workshop of Simon Marmion
Book of Hours for Cambrai use, France, Valenciennes, c. 1475-1480 (Les Enluminures, f. 1).
3. hours of the Virgin
Infancy cycle
Sext
Adoration of the Magi
Sext of the Hours of the Virgin is usually marked with an illustration of the Adoration of the Magi. Here, the narrative is expanded into the margins where the Magi's grooms attend the horses or kill time while awaiting their masters. These activities in the borders are juxtaposed with the calm dignity of the Adoration itself.

Spanish Books of Hours are rare. In the late fifteenth and sixteenth centuries, Spain, even more than other European countries because of its political ties, imported Horae from Flanders. This manuscript was probably made for the Infante Don Alfonso de Castile, younger brother of Isabella the Catholic. The arms of Castile and León appear in the manuscript, and in a frontispiece miniature, a blond youth whose appearance corresponds to contemporaneous descriptions of the Infante kneels with his guardian angel before an enthroned God. Don Alfonso died, at the age of fifteen, in 1468; work on the manuscript, whose Calendar was never finished, might have been interrupted at his death. The book may have been finished for Isabella, the future queen.

Hours of the Infante Don Alfonso of Castile for Rome use, Spain, Castile, 1460s-70s, probably for the Infante Don Alfonso de Castile (New York, The Pierpont Morgan Library, MS M.854, f. 90v).

   
 
     
3. hours of the Virgin
Infancy cycle
sext
Adoration of the Magi
Workshop of Simon Marmion
Sext of the Hours of the Virgin is usually marked by an illustration of the Adoration of the Magi. This remarkable Book of Hours depicts the Virgin and Child, Joseph standing behind them, in a run-down manger. The retinue of Magi appears on the right, and each Magi proffers a gift in gold. The black Magus Balthazar brings up the rear of the procession.

This interesting and beautiful Book of Hours, destined for a patron living in the western, French-speaking diocese of Cambrai, offers an excellent witness to the functioning of the atelier of the painter-illuminator Simon Marmion. Born in Amiens, Marmion was called in his day the “prince of illumination.” Since little is known of his workshop, this manuscript constitutes an important survival.

Book of Hours for Cambrai use, France, Valenciennes, c. 1475-1480 (Les Enluminures, f. 1).

   
 
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
1.
Calendar Labors
Zodiac
 
2. Gospel Lessons John on Patmos
Luke
Matthew
Mark
 
3. Hours of the Virgin      
Infancy cycle
     
  Matins Annunciation  
Lauds Visitation  
  Prime Nativity  
  Terce Annunciation to Shepherds  
Sext Adoration of Magi  
  None Presentation  
  Vespers Flight into Egypt
or Massacre of the Innocents
 
Compline Coronation of the Virgin
or Flight into Egypt
or Massacre of the Innocents
 
  Passion cycle      
  Matins Agony    
  Lauds Betrayal    
  Prime Christ before Pilate  
Terce Flagellation    
  Sext Christ Carrying the Cross    
  None Crucifixion  
  Vespers Deposition    
  Compline Entombment    
4. Hours of the Cross Crucifixion    
Hours of the Holy Spirit Pentecost  
5. "Obsecro te'' Virgin and Child
   
  "O intemerata'' Lamentation
or
Pietà
 
6. Penitential Psalms David in Penance
or David and Bathsheba
or Christ Enthroned
or Last Judgment
 
7. Office of the Dead Praying Office of the Dead
or Burial
or Last Judgment
or Job on the Dungheap
or Raising of Lazarus
or Lazarus and Dives
or Death Personified
or Three Living and Three Dead
 
8. Suffrages Saint with attribute
or Episode from life of the Saint
 
9. Accessory Texts various